I used this video by Mari Samuelsen as a reference: It is not exactly in time, but I understand that it should have been more meticulous. Thanks for the observation Poncho, in the solo part descending scale there is variation of time, the bpm goes from 166 to 156 and goes back up to 162. Thanks for the appreciation, you have made me investigate (I think that in this kind of music and more in the Baroque, there are variations) In any case, that scale still sounds good to me. Of course, the piece is in G minor and I think that the descending scale does it in that tone. Right now, it sounds very good but it's too "midi" to pull it off.Īnd to be nit-picky, the seconds at the beginning in real life are never as loud as the firsts.Ĭlick to expand.Thanks I don't know anything about music theory, so maybe you're right. It needs to sound like an "interpretation". You could also change the stroke as some are longer. You can go through the solo part and raise some velocity levels on the first note of each scale. It will be a challenge to put more "music" in this, especially at this tempo. Also, pay attention to the notes as you have several wrong ones throughout (although there are many versions of this). In the orch, there are a lot of dynamics, lots of hairpins throughout. And when he gets to the bottom, there is a D "drone" that you don't have (and should). When he gets to the top A, he takes his time, then speeds up as he runs down the scale. Notice that it's not metronomical, he brings out certain notes etc. It sounds like a midi file where every note is the same length, nobody plays like that. How ever stay curious for the market, there are currently so many exciting producers of good Orchestral and stringslibraries in the market, that no one is forced to stick with VSL in the Year 2000 So I post it, just to allow the comparison with my humble attempt without any VSL-Stuff (which I also have but more and more are becoming tired to use, while it 'was' great when it was released 15-20 Years ago, but as it seems no longer setting the new standards and obviously have in their recent published products completly lost the good soundengineer's ears, that still make the old libraries sound in several aspects at least more acceptable than the latest VSL-Stuff. But as I said, it will always be a matter of personal taste. It is of course a matter of taste, while I personally tend to prefer to let the melody and harmony still dominate over the percussive aspect. You will notice that VSL tends perhaps to become a bit more noisy ("harsch") in the higher velocities of their staccato's. S.F.: Vivaldi L'Estate III presto (Spitfire Chamber Strings + Emotional Violin as Soloist) Well done and interesting for me, since I have recently done the same with Spitfire Chamber Strings and the Emotional Violin as Soloist.
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